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Iran in international museums

Written by Super User. Posted in iran in International Museums

Cup with a frieze of gazelles
A number of vessels similar in form and technique to this one have been excavated in the rich burials at Marlik, a site southwest of the Caspian Sea in northern Iran

 
 
 Luster Bowl with Winged Horse
In the twelfth century, potters emigrating from Egypt or Syria introduced luster‑painted ceramics to Iran. Consequently, early luster production in Iran shares characteristics with lusterwares made in Fatimid Egypt.

 www.irangazette.com/enimages/Iran-in-National-museum.Luster Bowl with Winged Horse.jpg
 Vase with overlapping pattern and three bands of palm trees
Vessels carved of a gray-green stone in what is called the "Intercultural Style" were made in the greater Gulf area as well as in southern Iran. At the site of Tepe Yahya in Iran,

 www.irangazette.com/enimages/Iran in international museum.Vase with overlapping pattern and three bands of palm trees.jpg
 Clasp with an eagle and its prey
This solid gold ornament is in the form of a roundel with two projecting elements that have slots for the attachment of a strap. The rim of the roundel, consisting of eighteen thumbnail-shaped cells for turquoise inlay in the manner of some Sarmatian roundels, frames the openwork figure of an eagle in high relief.

 www.irangazette.com/enimages/Iran-in-international-museum.Clasp-with-an-eagle-and-its-prey.jpg
 Spouted jar
Hasanlu in northwestern Iran is best known as the site of a citadel that was destroyed in about 800 B.C., most likely by an army from Urartu coming from eastern Turkey. Thousands of artifacts of terracotta, bronze, iron, gold, silver, and ivory were recovered...

 www.irangazette.com/enimages/Iran-in-international-museum.Spouted-jar.jpg
 

Ewer with a Feline-Shaped Handle

This ewer demonstrates a continuation of Parthian and Sasanian forms during the early Islamic period in Iran. The lobed forms represent mountains and the vertical lines surmounted by budlike shapes are probably plants.
 www.irangazette.com/enimages/Iran-in-international-museum.Ewer-with-a-Feline-Shaped-Handle.jpg
 Luster Star-Shaped Tile 
Although the technology is believed to have originated in Iraq in the early ninth century and first spread westward to Egypt and Syria, lusterware became a dominant type of ceramic production in medieval Iran, possibly having spread from Egypt to Iran
 www.irangazette.com/enimages/Iran-in-international-museum.Luster-Star-Shaped-Tile.jpg
 Silk Fragment with a Rosebush, Bird, and Deer Pattern 
Iranian silk production expanded markedly in the early seventeenth century, thanks to the patronage of Shah 'Abbas I. Silk was most intensively farmed in the Caspian Sea provinces of Gilan and Mazandaran and was woven all over Iran. Raw silk was also exported to Turkey, Russia, Central Asia, India, and Europe.
 
Dish with Two Intertwined Dragons 
In the seventeenth century, Iranian imitations of Chinese blue-and-white export porcelain increased markedly. Using a stonepaste body instead of porcelain, Safavid potters synthesized Chinese Ming idioms with local tastes and created vessels such as this dish.
 
 

"The Besotted Iranian Camp Attacked by Night", Folio 241r from the Shahnama (Book of Kings) of Shah Tahmasp

Following a rout at the hands of the Iranians, the army of Turan regrouped and planned its attack. Before the battle could begin, the Turanians learned that the whole Iranian army was in its cups, drunkenly celebrating its victory.
 

Rhyton terminating in the forepart of a wild cat

Elaborate bowls, animal-headed drinking vessels, and rhytons—vessels which have a hole at the front from which liquid flows—were highly valued in ancient Near Eastern society. During the pre-Achaemenid, Achaemenid, and Parthian periods, examples made of silver, gold, and clay were used throughout a vast area extending both to the east and west of Iran

 
Kneeling bull holding a spouted vessel
Soon after the political transformations of the Uruk period in southern Mesopotamia, similar innovations—including writing and cylinder seals, the mass production of standardized ceramics, and a figural art style—developed around the city of Susa in southwestern Iran,    
 
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   

 

 

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